The graphic art novel by Spiegelman is a landmark for reading the Holocaust and the breakthrough of serious comics, but all its achievements are brighter and more eclectic. Art Spiegelman: The Dasser is that my Muse tracked its beginning in the 1960s as the developer of the Bizarre card for the trade package; Having created underground comic book magazines (with Bill Griffith) and RAW (with his wife Francoise Mulie); In the shadow of the No Towers, his reaction to September 11, inspired by a witness from his home attacks in the lower Manhattan; Its contradictory covers about the New Yorker (1993-2003), which encouraged the NYPD to write the magazine bureau; And his public response to the recent prohibition of Tennessee School Council for mice insurance. Spiegelman proves the eloquent leader through his provocative work with contemporaries (Robert Crum, Gary Panther) and more young cartoonists (Joe says Jerry Kraft, Molly Krobbell) inspired by constant personal spiral trauma confrontation.
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